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Brazilian artist Rafael Silveira’s 2026 solo exhibition, Popsicledelic Trip, at KP Projects Gallery in Los Angeles brought together surreal paintings and hand-carved panels shaped like popsicles. Silveira describes the works’ visual associations as “visual synonymies,” linking everyday objects with religious art and natural forms. The source report does not give the exhibition dates or say whether the show is still on view.
Brazilian artist Rafael Silveira presented paintings and carved panels in Popsicledelic Trip, a solo exhibition at KP Projects Gallery in Los Angeles that links popsicles, religious art, plants, animals and human figures through surreal imagery. The works, reported by Colossal, develop what Silveira calls “visual synonymies”: unexpected correspondences between images that initially seem unrelated.
Silveira’s paintings often alter faces and bodies by replacing features with landforms, flowers and animals. Other compositions combine people, organisms and objects in improbable settings. The source report identifies several works as dated 2026, including Exit, an oil painting on canvas measuring 150 by 100 centimeters, and Cosmic Bioma, an oil painting on canvas measuring 80 by 100 centimeters.
Some works use hand-carved wooden panels shaped with a squared base and rounded top, echoing both a popsicle and the architectural outline known as a tavola centinata. Colossal describes that form as common in Gothic and early Renaissance painting. Silveira’s show also appeared alongside an exhibition by his wife, artist Flávia Itiberê; the report does not provide further details about her presentation.
Other listed works include We Are On the Same Page, Wonders of Human Nature, My God Is the Sun, Early Bird, The Epiphany and Multiverse Is My Backyard. The report identifies their dates, materials and dimensions, but offers no sales information or account of the show’s audience response.
Popsicle Shapes Meet Sacred Art
The exhibition’s central visual contrast is between devotional imagery and an everyday frozen treat. Silveira uses the familiar outline of a popsicle to recall the shape of a traditional painted panel, placing popular and ephemeral imagery alongside forms associated with religious art. The resemblance gives viewers a concrete example of his interest in how a single shape can carry different meanings.
That approach also sets the paintings apart from surreal imagery based only on strange combinations. In the account supplied by Colossal, Silveira’s pairings point to a broader idea: seemingly disparate things coexist in the same world. The work invites viewers to notice visual relationships without claiming that the objects have identical meanings.
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Silveira’s Visual Correspondences
Silveira has described his interest in “visual synonymies” as formal correspondences between things that appear unrelated, when one image unexpectedly seems to recognize itself in another. Colossal uses examples including a figure with a tree for a head and ice cream cones floating like planets in a starry sky. These descriptions come from the source report; they are not claims that the images carry one fixed interpretation.
The tavola centinata offers a specific historical and formal reference. Its rounded top and squared base resemble a classic popsicle silhouette, while the report associates the panel shape with Gothic and early Renaissance painting. Silveira brings the two outlines together in works where the frame or support becomes part of the association, rather than a neutral boundary around the image.
“The connection is at once surprising and inevitable.”
— Rafael Silveira, in a statement quoted by Colossal
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Exhibition Dates Remain Unspecified
The available report does not state when Popsicledelic Trip opened or closed, whether it remains on view, or whether the gallery plans a further presentation. It also does not provide attendance, sales, reviews or direct comments from KP Projects. The exhibition is described as recent in the source, but that wording alone cannot establish its current status.
The report identifies the paintings and materials but does not include a complete catalogue or detailed descriptions of every work. Interpretations of the imagery beyond Silveira’s statement should be treated as readings of the paintings, not as confirmed artist explanations.
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Gallery and Artist Updates
No subsequent exhibition dates or related events are provided in the source material. Readers seeking a current view of the work can check KP Projects Gallery for exhibition information and Silveira’s Instagram account for additional images, as the Colossal report directs. Whether the artist will show these works elsewhere has not been announced in the available account.
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Key Questions
What is Popsicledelic Trip?
It is Rafael Silveira’s solo exhibition at KP Projects Gallery in Los Angeles, presented alongside a show by artist Flávia Itiberê.
What does Silveira mean by “visual synonymies”?
He uses the phrase for visual correspondences between seemingly unrelated things, where one image unexpectedly suggests another.
Why do some of the panels look like popsicles?
Their rounded-top, squared-bottom outline resembles both a classic popsicle and the tavola centinata form associated in the report with Gothic and early Renaissance painting.
Is the exhibition still open?
The source calls the exhibition recent but gives no opening or closing dates, so its current status is not established by the available information.
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