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Woo Jin Joo’s solo exhibition Bodily Inbetweenness is on view at Ruup & Form in London until Nov. 13, 2026. The artist combines found furniture and clothing with clay and viscose thread to make uncanny sculptures informed by folklore, memory and her life between cultures. Her work is also scheduled to be shown at the Harley Foundation in early 2027.
Woo Jin Joo’s solo exhibition Bodily Inbetweenness is on view at Ruup & Form in London through Nov. 13, 2026, presenting sculptures that combine found furniture and garments with clay and viscose thread. The Seoul-born artist draws on discarded objects, personal memory and folklore to create figures that join animal-like bodies with familiar domestic materials.
Joo gathers objects left behind near her home in London and while commuting to her studio in Deptford. The materials include furniture, clothing and other everyday items. She says she does not set out to find a particular object; instead, chance discoveries can prompt images and ideas. In her practice, these objects are combined with materials such as ceramic and shiny viscose thread, retaining traces of their former use while taking on new forms.
The works vary in size and structure. For Those Who Wade (2025) is an ochre arch form fitted with black suede boots; Murmur (2025) combines a ceramic element, embroidery and a wooden table. Other sculptures use embroidered textiles, socks, wadding, wire or steel rods. Several human-sized figures, covered in pale fringe, sit or stand in the gallery, while smaller pieces use similarly strange combinations of forms.
The exhibition includes works made between 2022 and 2026. Colossal’s report identifies the show as running until Nov. 13 and says Joo will have work on view at the Harley Foundation in Nottinghamshire in early 2027. The report does not specify the dates, format or full selection of works for that future presentation.
Discarded Objects Become Sculptural Figures
Joo’s work gives familiar materials a different role: a boot, sock or table is no longer only a used household object, but part of a sculpture whose form resists a single reading. That shift connects the exhibition’s unusual imagery to the artist’s interest in how people make meaning from everyday encounters and the histories objects carry.
Scale is also part of the experience. Joo has described some sculptures as standing as tall as she does. Their size invites visitors to move around them and compare the forms with their own bodies, rather than encountering them only as images on a wall. The result is a gallery presentation shaped by physical presence as well as material and story.
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Folklore Meets London Found Materials
Joo is Korean-Chinese and was raised between the two countries. She says stories and cultural traditions from East Asia inform her memory and imagination, while living in London and encountering particular objects can prompt other images. In her account, these influences meet in the studio rather than functioning as separate references.
Her interest in folklore and mythology is not presented as an attempt to illustrate specific tales. Instead, Joo says the strange and surreal can offer ways to move beyond ordinary perception and consider other forms of knowledge. Found objects contribute their own prior histories, which she imagines and reshapes through sculpture.
““I am not actively looking for anything in particular, but I discover them by happenstance, and they become meaningful; they provoke my imagination.””
— Woo Jin Joo, quoted in Colossal
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Details of the 2027 Presentation
The source report says Joo will have work on view at the Harley Foundation in early 2027, but it does not give an opening date, exhibition title or details about which pieces will be shown. It also does not provide information about admission, opening hours or any related public programming at Ruup & Form. The exhibition’s confirmed closing date in the report is Nov. 13, 2026.
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London Show Closes November 13
Bodily Inbetweenness remains on view at Ruup & Form until Nov. 13, 2026. Joo is then scheduled to present work at the Harley Foundation in Nottinghamshire in early 2027. Further details of that presentation have not been provided in the source report.
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Key Questions
Where can visitors see Woo Jin Joo’s exhibition?
Bodily Inbetweenness is on view at Ruup & Form in London, according to Colossal’s report.
When does Bodily Inbetweenness close?
The reported closing date is Nov. 13, 2026.
What materials does Joo use in the sculptures?
Her works combine found objects such as furniture and garments with materials including viscose thread, textiles, clay or ceramic, wire and metal rods. Materials differ from piece to piece.
What inspires the sculptures?
Joo has said her imagery draws on East Asian stories and cultural memories, her life in London, and the physical objects she encounters. She also uses surreal forms to explore how folklore and mythology can offer other ways of understanding.
Where will Joo’s work be shown after the London exhibition?
Colossal reports that Joo will have work on view at the Harley Foundation in Nottinghamshire in early 2027. Dates and exhibition details have not been specified.
Source: rss
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