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Amygdala’s Pleasure Dome: Continuum brought Brooklyn drag and performance to SoMad, a Manhattan multimedia art space, in an October 7 program of music, readings, theatrical acts and body piercing. Hyperallergic’s review describes the event as both a variety show and a gathering shaped by queer politics and the need to make space for possibility. Further performances were scheduled for October 8 and November 18–19, with lineups changing between installments.
Amygdala’s Pleasure Dome: Continuum, a performance series bringing Brooklyn drag to Manhattan, opened at SoMad on October 7 with a program combining drag, readings, music, theatrical performance and body piercing. Hyperallergic’s report describes the event as a queer variety show with political themes; further installments were scheduled for October 8 and November 18–19, with different performers expected at each one.
The first program used the Madison Square Park-adjacent multimedia art space’s narrow room to place performances around the audience, according to Hyperallergic. The review describes projected images and text, diva-focused musical sets, readings and acts staged both onstage and among spectators. The format, the report said, was designed so that the room’s arrangement did not leave audiences with a single fixed viewing angle.
Performers included RuAfza, Selena Surreal, final girl ’98 and Julie J, with Amygdala guiding the program. Hyperallergic describes RuAfza’s work as a political performance aimed at billionaires, right-wing politics and exhaustion; Selena Surreal presented an act involving piercings, while final girl ’98 moved through the room and engaged the audience. Julie J performed a musical number in an orange lamé costume.
Amygdala also read reflections about ancestors, survival, knowledge and imagining other futures. The review presents the evening not simply as entertainment but as a gathering rooted in the need to create queer artistic space. That framing is the critic’s interpretation of the performance, rather than a claim about the views of every performer or audience member.
A Stage for Queer Performance
The report documents a performance series that puts queer artists and drag at the center of a Manhattan venue, while bringing together entertainment, political references and audience interaction. Its significance lies in how the program uses performance as a shared gathering, not only as a succession of individual acts.
Hyperallergic’s reviewer argues that the work came from a sense of necessity and connects that feeling to concern about the safety and future of queer art amid a right-wing resurgence. That is the review’s assessment; the source does not offer evidence measuring threats to this particular event or describe any disruption. The documented program nevertheless shows how the artists used the stage to present ideas about identity, endurance and possible futures.
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From Brooklyn Drag to SoMad
Pleasure Dome: Continuum is presented as Amygdala’s move from Brooklyn drag into a Manhattan variety-show setting. The source describes the series as taking advantage of SoMad’s unusual, narrow room by spreading performances around it, combining a venue-specific arrangement with a varied bill.
The October 7 installment included tributes and theatrical references alongside political material and intimate moments between performers and spectators, according to the review. Hyperallergic also situated the event within a city changing through political and cultural currents, but the source does not establish that the show was organized by, or formally connected to, any political campaign or elected official.
““What can we imagine if we imagine other futures?””
— Amygdala, in a reading reported by Hyperallergic
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Details of Later Installments
The source provides a schedule for the next performances but does not list their complete lineups, running times or ticket details. It says the performers will change with each iteration, so the October 7 bill should not be assumed to represent the later programs. The report also does not say whether the scheduled dates were subsequently held or provide audience figures.
Descriptions of the performers’ impact and the show’s political meaning come from Hyperallergic’s critic. The source does not include interviews with every artist or independent audience responses, leaving their individual intentions and the broader reception unclear.
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October and November Dates
At the time of the report, the first part of Pleasure Dome: Continuum was set to continue October 8 at SoMad, 34 East 23rd Street, fourth floor, in Manhattan. A second part was scheduled for November 18 and 19. The report said the lineup would change across iterations; further program details were not provided in the source.
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Key Questions
What is Pleasure Dome: Continuum?
It is a performance series led by Amygdala that brings Brooklyn drag and other performance forms to SoMad, a Manhattan multimedia art space.
Who performed in the October 7 program?
Hyperallergic names RuAfza, Selena Surreal, final girl ’98 and Julie J, with Amygdala guiding the evening through performances and readings.
What kinds of performances were included?
The program featured drag and musical performances, theatrical acts, readings, projections and an act involving body piercing, according to Hyperallergic.
When were further performances scheduled?
The report listed October 8 for the continuation of the first part and November 18 and 19 for a second part. It said performers would change across installments.
What remains unknown about the later shows?
The source does not provide the later lineups or confirm whether those scheduled performances took place. It also gives no ticketing information or attendance figures.
Source: rss
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