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Hyperallergic’s November guide highlights Los Angeles exhibitions that connect contemporary art with history, archives, identity and personal memory. The supplied report details five shows, including exhibitions by April Bey, Charles Arnoldi, iris yirei hu, Isabelle Frances McGuire and Milano Chow; it does not provide enough information to verify all 10 entries in the headline.
Hyperallergic has published a November guide to art shows in Los Angeles, featuring exhibitions that revisit historical records, cultural memory and intimate relationships. The supplied report gives details for five shows, including work by April Bey, iris yirei hu and Milano Chow; although its headline promises 10, the source material provided here does not identify the other five entries.
Among the featured exhibitions, Isabelle Frances McGuire’s “Joy is a Puppet” at Bel Ami in Chinatown runs through November 28. The show addresses the Salem Witch Trials through sculpture and assemblage, as well as an interactive video game in which players take the role of a woman accused of witchcraft and choose what to do next. The source connects the historical subject to contemporary concerns but does not describe the game’s possible outcomes.
At Vielmetter Los Angeles, April Bey’s “All the Reasons We Never Tell Someone We Love Them…They’re Worthless” is scheduled from October 31 to December 19. The Bahamian-American artist’s new textile works form part of her Atlantica project, in which she adopts an extraterrestrial persona to report on human life. According to Hyperallergic, the large tapestries depict queer intimacy and include portraits Bey made during a 2024 residency in Orange Mound, a historically Black community in Memphis.
Other entries include Charles Arnoldi’s paintings from 2016 to 2019 at Michael Kohn Gallery, on view through December 19, and iris yirei hu’s paintings, ceramics and reliquary boxes at Official Welcome, also through December 19. At Hollyhock House, Milano Chow’s “Fantasy Street” uses archival images from the Los Angeles Public Library to imagine buildings, while a companion exhibition presents photographs by Deborah Turbeville. Both are listed through December 20.
Archives Reframe Los Angeles History
The guide points to a shared interest in how art can revisit the past without treating it as settled. Chow builds fictional streets from archival photographs, while McGuire turns a history of accusation and punishment into an interactive work. At the Brick, a retrospective of Todd Gray brings together his commercial photographs of musicians and later tableaux that use archival images to construct new narratives, according to the report.
The selections also connect local art audiences with histories of Black artists and institutions. Hyperallergic notes an exhibition at LACMA about Brockman Gallery, which operated from 1967 to 1990 and supported Black artists. The guide also highlights Bey’s work with queer intimacy and a historically Black Memphis community. Together, these subjects give readers a practical route through exhibitions concerned with whose histories are preserved and how they are represented.
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Five Shows Detailed in the Guide
The source frames November’s Los Angeles exhibitions around historical excavation, archival material and revised narratives. Its introduction also names Isabelle Frances McGuire, Milano Chow, Todd Gray and the Brockman Gallery as examples of that focus. The supplied text, however, contains full venue and date information for only five entries; it does not provide the remaining five exhibition listings or the details needed to independently describe a complete 10-show itinerary.
The five detailed listings span several parts of the city, from Chinatown and Downtown to Hollywood and Westlake. Most remain open into December, giving visitors more time than November alone to see them. The dates and descriptions here follow the supplied Hyperallergic report; visitors should check with venues for current hours, admission arrangements and any schedule changes.
Five Listings Are Not Supplied
The provided source material is incomplete relative to the headline: it describes five exhibitions, not 10. The other listings, their venues and their dates cannot be confirmed from the text available for this article. The report also does not supply artist or venue statements as direct quotations, so its descriptions are paraphrased rather than presented as quoted claims.
Exhibition schedules can change, and the supplied material does not include opening hours, ticket requirements or confirmation of whether every show is currently open. Readers should verify those practical details with the galleries and institutions before visiting.
Check Dates Before Visiting
The listed exhibitions continue through late November and, in several cases, into December: McGuire’s show ends November 28, while the other four detailed entries are scheduled to close between December 19 and 20. The source does not report a later update or announce additional programming.
For a complete 10-show itinerary, readers will need the full guide or further listings from Hyperallergic. Before making plans, check each venue’s current schedule and access information, particularly for exhibitions displayed within historic or shared spaces.
Key Questions
Does the supplied report name all 10 shows?
No. The source text provided here gives details for five exhibitions, although the headline refers to 10. The other five cannot be identified from the supplied material.
Which exhibitions remain open after November?
Of the five detailed listings, April Bey’s show and the exhibitions by Charles Arnoldi and iris yirei hu run through December 19. Milano Chow’s Hollyhock House presentation is listed through December 20.
Where can visitors see Milano Chow’s work?
“Fantasy Street” is listed at Hollyhock House in Barnsdall Art Park, alongside Deborah Turbeville photographs in a companion exhibition. The report says Chow’s works draw on images from the Los Angeles Public Library archives.
What does April Bey’s exhibition explore?
According to Hyperallergic, Bey’s textile works explore love, romance and companionship as part of her Atlantica project. The tapestries include scenes of queer intimacy and portraits made during a 2024 residency in Orange Mound, Memphis.
Source: hyperallergic.com
